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Schedules and timelines in the advertising world for storyboards and animatics have been getting shorter and shorter over the past decade or so.

The old style of single-illustrator frames and high levels of painterly finish are no longer feasible for most production timelines. I started teaming up with fellow advertising veteran illustrator Ryan Keith Harris behind the scenes to make deadlines work, and we became such a good team that we decided to create SPEEDBOARDS.

Now almost all of my storyboard/animatic work is done via Speedboards and I couldn’t be happier. We’ve developed a system that works so damn well lol and our clients are loving it.

If you need storyboards or animatics, I suggest working with me as Speedboards. Come visit our site and see what we’re all about: