Schedules and timelines in the advertising world for storyboards and animatics have been getting shorter and shorter over the past decade or so.
The old style of single-illustrator frames and high levels of painterly finish are no longer feasible for most production timelines. I started teaming up with fellow advertising veteran illustrator Ryan Keith Harris behind the scenes to make deadlines work, and we became such a good team that we decided to create SPEEDBOARDS.
Now almost all of my storyboard/animatic work is done via Speedboards and I couldn’t be happier. We’ve developed a system that works so damn well lol and our clients are loving it.
If you need storyboards or animatics, I suggest working with me as Speedboards. Come visit our site and see what we’re all about: